Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Monday, May 15, 2017

Seven Noble Knights by JK Knauss



Seven Noble Knights by J.K. Knauss

J. K. Knauss’s epic of medieval Spain, Seven Noble Knights, debuted on Kindle yesterday from Bagwyn Books. You can order it here, check out the softcover (coming January 16, 2017) here, and find out all about the Grand Book Launch Blog Tour at JessicaKnauss.com.

Spain, 974. Gonzalo, a brave but hotheaded knight, unwittingly provokes tragedy at his uncle’s wedding to beautiful young noblewoman Lambra: the adored cousin of the bride dead, his teeth scattered across the riverbank. Coveting his family’s wealth and power, Lambra sends Gonzalo’s father into enemy territory to be beheaded, unleashing a revenge that devastates Castile for a generation.

A new hero, Mudarra, rises out of the ashes of Gonzalo’s once great family. Raised as a warrior in the opulence of Muslim Córdoba, Mudarra must make a grueling journey and change his religion, then chooses to take his jeweled sword to the throats of his family’s betrayers. But only when he strays from the path set for him does he find his true purpose in life.

Inspired by a lost medieval epic poem, Seven Noble Knights draws from history and legend to bring a brutal yet beautiful world to life in a gripping story of family, betrayal, and love.

“Let Seven Noble Knights welcome you to historical fiction! …it’s a rich saga populated with characters you will grow to love (and a few you will love to hate). The ancient empires of Spain are a beautiful backdrop to the struggles of humankind across all generations of all lands: romance, revenge, war, and adventure.”
—Pushcart Prize nominee Reneé Bibby, The Writers Studio



Excerpt from Part One, Chapter III: The Wedding
Young Gonzalo’s uncle, Ruy Blásquez, is receiving Doña Lambra as a bride in exchange for his service to Castile. Gonzalo isn’t at all sure Lambra should be marrying his uncle, and during the ceremony his sensations run toward the culinary.

Doña Sancha shooed her sons away from the cathedral door and drew dried herbs and flowers from pockets Gonzalo hadn’t known were inside her tunic and cloak. With a stick, she carved a large circle on the hard earth. Doña Sancha set the herbs and flowers inside the circle in a pattern with meanings she might have shared with a daughter, but were a mystery to Gonzalo.

“You’ll stand here,” she told her brother, Ruy Blásquez. “When your bride comes from that side, you’ll step inside the circle together.” She arranged her husband and sons on Ruy Blásquez’s side of the circle. Gonzalo ended up next to his uncle, so close he could hear each shallow breath he took.

Count García arrived with a full complement of knights and squires and four banners in white with red castles, as well as a fiddler and a flutist who made ready to play. So many people in the plaza must have been making the loudest ruckus since the city had been won from the Moors, but Gonzalo heard nothing.

From between the buildings at the far end of the plaza emerged forty women who walked with their hair covered to emphasize their married status. Their laughter and singing couldn’t distract Gonzalo from Doña Lambra, who tottered on their shoulders.

An heirloom beaded necklace competed with her yellow hair, shining in tight plaits on her shoulders with ornamental brass tips that looked as if they had come out of a treasure chest long ago. A mail girdle, inlaid with brass and pieces of jet at the edges, cinched her bright blue tunic from under her breastbone to down over her hips. Gonzalo shivered at the thought of the bitter touch of the matching mail sleeves, from the decorated wristlets up to her shoulders. A burgundy-colored cloak edged with three rows of golden braid was fastened over her shoulder with a gilded brooch in the shape of a lion rampant. A square cap, decorated all around with braid and gold carbuncles, looked like a royal crown. Gonzalo imagined he wasn’t at his uncle’s wedding, but that this bride had come from the farthest reaches of Christendom to marry the King of Navarra or León.

The married women set Lambra down in the middle of their ranks. She let the cloak fan out behind her unsteady stride. Her face was frozen into a grimace like the one the Virgin Mary wore as she cradled the Savior’s dead body inside the cathedral.

Gonzalo remembered Lambra’s grin at the banquet days before, when her mouth had dripped red with juices from the roasted bull’s testicles and the sauce-engorged bread trencher. Each time she received the goblet, she had made sure to turn it so that her lips didn’t touch the same spot as Ruy Blázquez’s. She didn’t take the same precaution against Álvar Sánchez, seated on her other side. Gonzalo could hardly taste his food through a choking desire to throw his eating knife across the table into the gloating knight’s hand so it could never touch Lambra so familiarly again.

There he was now, that upstart Álvar Sánchez, wearing just as juicy a grin, so close to Doña Lambra that the obnoxious curl on the toe of his boot intruded on the magic circle.

Meet author J.K. Knauss
“What is that blasphemous behemoth doing there? Shouldn’t a member of the groom’s family stand next to the bride?” Gonzalo whispered to Gustio.

Gustio knocked his elbow into Gonzalo’s ribs. “Why? Were you hoping it would be you, little brother?” He chortled until their mother hissed at them to be silent.

Count García was addressing the crowd. “…with these deeds, Ruy Blásquez has earned as a bride my loveliest cousin, probably the most beautiful woman Castile has seen since my mother joined the Kingdom of Heaven. May they live many more years and have many loyal Castilian children.” He raised his arms, which the crowd took as a sign to cheer and shout.

Gonzalo noticed that his uncle had already moved into the circle and reached for Lambra’s hands. She was looking at Ruy Blásquez, but not with love or even curiosity. It was a look of judgment. Gonzalo tried to imagine how his uncle’s soft eyes, long nose, and weak chin fared on Lambra’s scale.

“I receive you as mine, so that you become my wife and I your husband,” Ruy Blásquez said. Gonzalo was relieved to glimpse him smiling widely, displaying his straight, white teeth to his judge in the form of a bride.

Ruy Blásquez smiled and waited, waited and smiled. Gonzalo witnessed a thousand expressions cross Lambra’s face like clouds in a stormy sky. At last, Lambra’s maid emerged from the crowd and leaned over the circle. “I receive you as mine…” she prompted so quietly that Gonzalo had to read her lips.

“I receive you as mine so that you become my… husband… and I your… wife,” said Doña Lambra, her eyes narrow. She pulled her hand away from Ruy Blásquez to wipe at her plump lips, as if the words had sullied them.

She craned her neck to look at Álvar Sánchez and Gonzalo knew she wished she had said the words to him. His heart beat faster. Then she shifted her gaze to Gonzalo. He felt as if he were smothered with the parsley, fennel, red carrot, and beet sauce from the banquet. Such was the hunger he saw in her eyes, a hunger he couldn’t help but feel, too, and which raged all the more, the more he tried to contain it. He remembered the way the bull’s testicles had flopped onto Doña Lambra’s trencher under their own weight and the way they deflated when she plunged her knife into the center of the sacs.

He stopped a startled cry in his throat.

“Long live the newlyweds!” The crowd shouted until they were the only words Gonzalo remembered ever hearing.


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Thursday, July 9, 2015

An Unsubstantiated Chamber by William J Jackson

Today I'm pleased to welcome William J Jackson to the blog to talk about his new book and the steampunk genre! 


First a little about the book...


Railroad City, Missouri used to be the mecca of right, of trust, of technology. When an alien element triggered the creation of paranormals, a small crew known as the Guild of Honor formed. Their actions changed the world, and moved it from Industrial Age to a time of speed and wonder.
1886: two years after the heroes are dead, victims of a jealous America. Two years of military rule in the Rail. Paranormals have gone from amazing curiosities to a dying breed. In this miasma of pain and cruelty, where good is deemed evil, a startling series of murders occurs. Can the killer be caught who leaves no bodies, no weapon, and no crime scene? Pushed into this mess is Professor Flag Epsom, the man who can see the past. Coupled with a violent femme fatale, can these two paranormals work together to find the killer, or will they end one another?

Get a copy here...

Amazon & Author Website

 

AN UNSUBSTANTIATED CHAMBER, or HOW I LEARNED TO RE-LOVE HISTORY

My first book is for sale on Amazon. An Unsubstantiated Chamber is the first in a series taking place in an advanced Victorian era city in the West called the Railroad City (locals call it the Rail). Nestled in southwestern Missouri, the tale brings together two unlikely protagonists who seem like antagonists, against an evil menace while the Rail is gripped in the leash of the American military. As a chase story, it is written to be direct and fast paced, not long.

Steampunk would be the book’s main genre, but what is that, you may ask? Doesn’t sound like action, ring of romance or drip with mystery. Steampunk is a sub-genre of science fiction. To put it bluntly, I prefer to see it as science fiction in reverse; let’s explore a more advanced yesterday and its effects rather than the future. While most of this genre hails from Victorian England and America (mine being the latter) there is a burgeoning set of steampunk tales in other countries, and not necessarily the Victorian era. Wherever there be steam power…

While my peculiar blend of punk forms a literary compound with classic four color comic books, the research is still a requirement. For this I went into what I would term the basic insight. What is the Victorian Age? How did they speak, dress, move, work, play? What I used for the first book still holds for others. Ernest Freeberg’s The Age of Edison, Thomas Schlereth’s Victorian America and the Metropolitan Corridor by John Stilgoe have been crucial to information on the expanse and change brought by trains, industry and more. Two of those books are a little old, but old fits the time. If you want to get the historical aspects correct, you can’t ignore the history. After all, when heroes and villains aren’t battling, they have to grab meals, ride a carriage, buy things, etc. You want the feel to be right.

Slang helps, and the Victorian period has loads. Since one of my protagonists is Scots-Irish, he has a bit of Old World slang I researched, some Western terms he picked up, and words he makes up because, well, that’s Flag’s thing. Writing is one two parts research/data, one part free imagination.

Now, the technology! Let’s go back a tad to short versions. Two years before the novel, I was writing short stories of the Rail, still believing I would never write a full novel (surprise!). The Rail began as a tabletop roleplaying game twenty years further back, and fermented in my mind. I knew I wanted fast trains, had a man in steam armor, and more. But then Flag Epsom came into my head as easy as a bird can fly. Due to my ever-present love of the Six Million Dollar Man, I quickly noted the value of a steam-powered bionic man. But adding to it the literary archetype of the Guy You Love To Hate, and a paranormal power to see the past (replacing the bionic eye bit) made him more human, more interesting. That’s also the power of thinking outside the box. Many folks think, say, only romantic notions to do romance. But I got one of my best steampunk characters from a 1970’s show that now may be more appropriately dubbed atompunk. As for the steam prosthetics, they had to be steel. But, I wanted them to make Flag a little uneven, bulky. I wanted the engine to make him always hot, so he wears, at best, a thin long coat suitable only for spring, even in winter. The gears clink. The springs make tension creaks. Why? Because it adds depth, it adds reality. Then I figured the geniuses making them gave him better versions every six months, while his mood stayed poor. After all, he is half a man, and no fake limb can make him feel whole.

Negatrite powers many devices in the Rail, gave people paranormal abilities (the comic book part). So, the military has large ironclads that fly in the air on steam engines imbued with the stuff. This is like a Civil War ironclad, turned upside down and much larger. My intention here was to convey power, a dark power overhead. It’s a common steampunk trapping, and I like it. It is one of the easiest ways to display a bloated empire placing an aerial boot heel over the face of the populace.

While the Rail hosts airships as fire engines, masked men, cheaper implants and revolvers that fire explosives, I use them only when it fits the tale, and hopefully that shines through. Wanna race with Epsom and Astin? If you do, let me know how you like the Rail and its unique ways.

About the author


William J. Jackson lives in yesterday and tomorrow. He has only the vaguest awareness of the present, and when he does, he writes. As fan of history, nature, comics and science fiction, Jackson merges these hobbies into the Legacy Universe, his fictitious saga of the denizens of Railroad City, Missouri. When not writing, he travels through time, stares at birds, and works and lives in historic Salem, New Jersey with his darling wife and family. 

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